The new year is in full swing and the beginning stages of the ‘Dependent Origination’ project are well underway. Various project co-ordination tasks have been completed and documents set up to monitor my progress in the form of a timetable alongside budgeting spreadsheets to ensure I keep on top of the finances. I’ve started the search for equipment that I need to complete the proposed activity, the main purchase being that of the dome.
The dome (or Garden Igloo, to give it its proper title) will act as my artist studio when on site at the schools or community partners venues during the project. It will allow me a space to make work and research and also act as a space to deliver workshops to small groups. The transparent material will be a good way to keep wind and rain out whilst allowing my Cyanotypes to expose to UV light, so it’s a pretty integral part of the project! Currently the dome is winging its way from Germany and is unfortunately a victim of Brexit related delays and so may not make it to me until March given current estimates. It’s certainly a factor that I hadn’t considered when developing the project. As it goes though, I couldn’t find the same product or something suitable from a UK seller and as this is all out of my sphere of influence I’ll just have to accept that this is the way that things are. It’s definitely made me think that for the rest of my equipment purchases I need to look a little closer to home though.
Another aspect affecting the project that I couldn’t really plan for is the Covid-19 pandemic and obviously whilst I was aware that the situation was ongoing when I received the funding, I wasn’t quite prepared for the impact on schools, especially the current closures. However, this week I did press on and book provisional dates with one of the planned school partners for the project. Hopefully they will be able to open and invite visiting artists in by the time of the proposed set of delivery dates. Time will tell.
Speaking of Covid, I was a very lucky recipient of Arts Council Emergency Funding which has allowed me to continue to develop other areas of my practice alongside ‘Dependent Origination’. I’ve developed treatments for a series of photography tutorial videos which I hope to begin filming very soon. They will ultimately become a set of stand-alone series that beginners and improvers can purchase and download from me directly. I’ve also used some of the time that the funds allowed to begin researching and making work for a video landscape series which I intend to become an installation piece (once gallery spaces can operate again).
Visually it’s currently a number of tryptichs depicting a response to the six elements (as described in an advanced Buddhist meditation practice). The above still is a simple test set up to give me a sense of what I can achieve using the software and kit I have available. I’m currently pleased with the early stages of development with both of these paths and feeling prepared for the inevitable challenges ahead.
I’m incredibly happy to announce that I was the recent recipient of funding from Arts Council England to develop and deliver a photographic arts project across selected schools in Leicester and Leicestershire, alongside community activites.
The
project ‘Dependent Origination’ was born from reading scientific, fictional & spiritual
texts that fed into the idea that we are all aiming to discover our
place & purpose. Dependent Origination is a phrase in Buddhist
teaching which recognises that all things arise dependent on the
conditions present, be that emotional states, physical
situations/experiences even life itself.
Just as our place in the world may not be fixed the project will relocate and take place in a pop-up
dome, acting as a studio & workshop. This moveable studio will then
tour between schools and community settings providing participatory
workshop oppportunities. The transparent dome complements the chosen
photographic process and an aim: offering sight lines into artistic
practice for groups who don’t usually access the arts. The project utilises the Cyanotype process; creating light sensitive surfaces by coating materials with chemicals that change colour when exposed to UV light. Placing
materials on the surface (EG dust, earth, plants) leaves behind an
impression of the object.
Project strands will
research & develop my personal work in progress and pilot an
outreach touring model for underserved groups & developing
audiences. It tests a paid-for model, accessibility & the impact it
can have on practice & participation. A short film will document the
work, alongside project blog and social media updates.
As stated above the project has been made possible thanks to funding from Arts Council England, for which I’m incredibly grateful. Huge thanks also to Sam and Jodie at Platform Thirty1 who provided support during the application stage and who will also be providing project support around the delivery and evaluation stages.
It’s been a remarkably long time since I last posted anything
relating to research and project ideas…posted anything at all really!
Given the current worldwide situation, specifically my current situation
in lockdown in the UK I’m finding I have more time to reflect, read and
type. Obviously, my commissions for photographic work have dropped off
as we all stick to government guidelines and a lot of us stay at home
and away from workplaces. However as I said this has afforded me some
more time to be able to focus on other activities that have been
neglected in favour of commissioned work over the last year or so.
I
like thousands of freelance artists have applied to receive emergency
funding from the Arts Council. I’d been working on and had submitted a
large bid for a project grant before Covid-19 put a halt to all
applications. This was to bolster work on my current work in progress
project ‘Dependent Origination’ which i had hoped to widen out into workshops based in both school and community settings.
If
I receive the emergency funding it’s the plan to continue that work
with the Cyanotype process but formulate new ways of getting an audience
to engage with the work. More updates on that will follow.
I
have also been working on the development of a Podcast series. I’ve long
considered the ways of creating audio to compliment more editorial
style practice and I now feel confident that the Podcast format is the
right route for me. I recently completed a short course with Future
Learn that gave me some fantastic information and guidance on producing
engaging audio content. Visually I’ll be aiming to create series that
follow a similar visual style to this project by Alphabet.
I’ll
be updating with more research and work in progress soon. I really want
to make sure that I use this opportunity to continue to strive and
progress.
Anthony
Prothero’s latest body of work “Ipseity” is a “visual
investigation into memory, imagination and the family album”. The
exhibition and accompanying book were a product of the artists masters study at
Falmouth University. The exhibition comprised of a series of large scale images
from various sections of the book alongside a video piece and an audio
installation. Imagery ranged from still life set ups of the artists
grandmothers belongings, collected and curated images of family trips abroad,
scanned and distorted family portraits. The video installation detailed silent
super 8 footage of a family wedding and my personal highlight of the exhibition
an audio piece which presented a discussion between the artist and his grandmother
about a particular image in the exhibition.
Much has
been said on the use of personal/ family archives for project material, during
my own undergraduate degree I too delved into my own family archive and I still
find it an interesting topic, even when I have no relation to those depicted. I
think this is due to work of this nature forcing me to consider the
relationship I have with my own family archive, so those images that exist from
my own childhood and before. Also following the birth of my daughter and my
imminent second child I consider the ways I might continue building my own personal collection. How should I
record family life? Which means are most effective in the modern technological
age? Do I even record enough of family activity?
Most
would argue that it’s never been easier for us to capture our experiences with
the advent of smart phone technology, with most of the worlds population having
access to a camera in their pocket but I feel that it’s what we do with those
images that is most important. Is uploading our lives to countless digital
social media albums any different to stocking photo albums on shelves in our
homes only for both to be ignored for most of the time that follows the event.
During this exhibition I pondered the question “I wonder how many times
this wedding video had been viewed before being put on a loop in a gallery
context?”
A record
of our lives is important and interesting even if only in our own family
circles, what Anthony has done here is succeeding in making his own personal
family artefacts interesting whilst allowing us as viewers to question the
importance of our own. The other elements of the exhibition, namely the sound
and video pieces have made me question photography’s effectiveness as a tool to
record our personal memories. Is it just one of many tools that when used
together can create a more meaningful reflection of our lives? Ultimately we
all crave to be remembered when our lives are over. Looking at the strangers
actions, appearances, belongings here brings to mind the transient nature of
our experiences and lives, as soon as they have happened they are gone much
like the capturing of an image. Can photographs or possessions really tell us
anything about those pictured or are they merely vessels for those left looking
to reflect on a life once known? In the end it is really all just
“stuff”, providing a more public context would surely strike chords
for those with a personal connection to the images on show. For the rest of us
it highlights an urgency to ensure that our own collections are of interest to
our own family after we are gone and not just adding to an already huge pile of
belongings to sort through.
Detail from a work in progress print. Part of the series ‘Dependent Origination’. A project that utilises the cyanotype process to investigate the universal landscape.
In my last entry I mentioned moving on to new projects. So whilst I continue to share my ‘Peninsula’ series on my websiteand also using Instagram for regular updates I’ve been researching and creating ideas for my new work. I’ve slightly moved away from digital processes lately, mainly due to my commercial work relying heavily on digital practice, however I say slightly as there is at present still the use of scanners and editing software to tidy up images and create the final result. I’m currently using the cyanotype process to create abstract visuals that investigate the notion of the universal landscape, our connectedness to the world around us and contemplating our place in the universe. Whilst beginning to delve into books about psychology and spiritual practice I’ve also been gathering and seeking out visual inspiration to inform the project. The following posts link to projects and articles I’ve found interesting over the last fortnight:
Finally an advertorial piece on the British Journal of Photography website which details newspaper print as a means of sharing work offline in a relatively affordable way.
Given my discoveries of the costs involved creating the print on demand bookfor my last project this could be a future avenue worth bearing in mind.
A very quick update this week to tell you that here it is…the finished series, ’Peninsula’ is now available to view on my website
It’s been a long time since I started creating and editing this work and I’m really proud of the end result. I think I’m most proud of the lessons learned along the way and the challenges to the way that I operate as an art photographer. A lot of these insights I intend to take into my next project which is currently in progress and which I plan to post updates about soon.
I’ve also put together a book of the series which is available via Blurb or by clicking the book sales link at the bottom of my website
If you’ve been following this little journey over the last few months then thank you very much for reading and if you like the work and you think that others might like it too please feel free to share the links around.
More of a project update this week as some work comes to it’s end and new work begins to take shape. My landscape series ‘Peninsula’ is almost ready for release. The book layout is complete and the edit selected. I will be officially putting the work out online next week along with details on where to purchase a copy of the self published book.
It’s been a long time coming and at times I’ve struggled to get this series to a place where I’m truly happy with the final selection. On reflection a lot of this was linked to a lack of confidence in my work and also a need to focus on more commercial pursuits in order to put food on the table. I am however pleased with the resulting series and it’s been an enjoyable experience reflecting on the reasons behind the creation of the work and including these musings within the project.
The renewed sense of enthusiasm that working on 'Peninsula’ has contributed to the beginning of new work. I’ve started to really get into the thick of creating images for an as yet untitled project that utilises the cyanotype process alongside digital processes.
Although abstract in their aesthetic the images are, in my mind still linked to landscape. I’m considering the universal landscape, our connection to the creation of the entire universe and our place within it. The connections that we all have with the natural world and with each other and considering the importance of this interconnectivity through the creation of imagery that can invoke thoughts and responses from viewers that are personal to them. I’m also currently exploring suitable accompanying text/poetry that can compliment the images. As a result a lot of my research of late has been focused on 'camera-less’ images. Some of which I’ve included below:
Time of late has been filled with lots of freelance commission activity, workshop delivery and some design work for regular clients. Still I’ve made time for personal work. In terms of the ‘Peninsula’ project the layout for my self published book is complete aside from adding the finishing touches to the layout of the text. I plan to sell these on a print to order basis online through a site such as Blurb.
Alongside this I’ve also been keeping one eye on future projects. I’ve been considering wider and more abstract aspects of landscapes and I’ve considered our surroundings more universally of late. I’ve started to express these thoughts visually and have begun to experiment with the Cyanotype process to try and capture these musings without the use of a camera.
I’m enjoying experimenting with the medium, mixing traditional and digital techniques whilst allowing objects and materials to react with each other.
Whilst researching as I formulate new ideas for project work I’ve come across a few articles and projects I’ve found interesting:
Niagra was a huge influence on me both during and after my degree study. I looked at this work many times whilst creating my series 'Ways to Begin’and I still return to Soth’s work often.
What next for photography in the age of Instagram? via the Guardian
A hugely interesting article discussing the role Instagram has to play in the landscape of contemporary photography. As someone who makes a lot of use of the platform this was well worth time and attention.
Finally a stunning series, 'Love Bites’ by Tim Richmond via the Guardian
I made a promise to myself that this year I would put my work out into the world more, and whilst I think I did this with my commercial work it’s time my self directed projects took centre stage. After some help and guidance from someone I now consider a mentor I am close to officially releasing my latest series.
I have however been entering images from my upcoming series ‘Peninsula’ into relevant competitions. I’m grateful for opportunities to submit my work. I’m incredibly grateful that currently I am in a position to be able to afford the cost of entry and I’m proud to be alongside some amazing photographers in the Peoples Choice Category of Feature Shoots Emerging Photographer competition. This stage of the competition is based around an online vote, the images gathering the most 'likes’ winning a prize, before the official competition judges start the task of selecting grand prize winners. You can vote for me if you wish to at this link
I’m pleased at my current progress with the 'Peninsula’ project, especially that the end is in sight and the work will soon be seen and out in the open. Currently I’m fine tuning a book layout which will no doubt be self published and also making plans for exhibitions.
So as one project draws to a near plans begin for new work. I’ve been busy enquiring about spaces and generating budgets and promotional material for a small portraiture project which will take place in the village in which I live. As a result a lot of the work I’ve been reading about or seeking has been portraiture based. Two of my favourites are featured below.
